Welcome the New Year with this beautiful tank warfare calendar featuring Girls und Panzer. Look forward to flipping to a new month featuring a warm, beautiful illustrations of the cast of the series.
This calendar can be purchased here (get 5% off with coupon code MOE-N3Y-4YW0QK).
Good Smile Company have revealed a breathtakingly beautiful figure of Hatsune Miku in her race queen outfit from the 2015 Hatsune Miku GT Project. Her futuristic costume is perfectly designed to emphasize her slender figure and highlight her glowing eyes and long, flowing hair. You’ll love her vibrant, lifelike pose and brilliant smile, so charming and beautiful. This figure is a must-have for Vocaloid fans everywhere.
Good Smile Company have revealed images for the latest 1/7th scale figure of Amagi Brilliant Park‘s Isuzu Sento by Max Factory. Pre-orders are expected to ship in July while the total cost for the figure is listed at 16,667 ($138.16) yen.
With the recent teaser website for Gainax, Aniplex and Konami’s Tengen Toppa Gurren Lagann launched earlier this week, Sakuga-fan favorite Sushio, whose work can be seen spotlighted in Gurren Lagann episode 15 and movies, as well as the Rebuild of Evangelion movies and Kill la Kill, has took to social media to express his reaction to the reveal of the teaser.
He also revealed in another tweet that he doesn’t know what the teaser website is for.
With the second season TV anime adaptation of Yanai Tagami’s light novel series Gate: Jieitai Kanochi nite, Kaku Tatakaeri (Gate: The Self-Defense Forces Fight Like This in Another Land) scheduled air from January 8, Kotobukiya have revealed a 1/7th scale figure of demigoddess Rory Mercury. She is presented in her classic gothic lolita outfit while carrying her gigantic axe which could slice a rock easily as shown in her base. The folks at Kotobukiya did a really good job of capturing her elegant yet terrifying presence.
With a new Tengen Toppa Gurren Lagann project teased earlier this week, FREEing have revealed a 1/4th scale figure of Yoko Littner wearing a bunny outfit. Her long red ponytail and the shiny black bunny outfit create a passionate contrast that really suits her design. The net stockings are made from real fabric to bring out an even more realistic feeling to the figure.
With the KanColle browser game recently updated with a Christmas mini event, Kashima has been featured in the January 2016 issue of Comptiq as her limited Christmas mode CG. This issue of Comptiq can be purchased here (get 5% off with coupon code MOE-N3Y-4YW0QK).
In addition to this, the Northern Princess and Harbour Princess have also been featured in a festive visual in this issue.
Kantai Collection is a Japanese free-to-play web browser game developed by Kadokawa Games. The game was launched on April 23, 2013. As of April 2015, the game is available in Japan only and has 3 million registered players. The game has developed into a much larger media franchise; various media including multiple manga series and light novels have been released, in addition to an officially licensed tabletop role-playing game. A PlayStation Vita game has been announced for a February 2016 release, and a television anime series began airing its first season in January 2015, with an upcoming sequel and animated film announced.
This is my first post here, so for those who don’t know me, I blog over at Geekorner-Geekulture, and the upcoming post is an excerpt from my Winter 2016 season preview, of the 5 shows I’m most looking forward to in the upcoming season, that begins on January 5th, just two weeks away! Hopefully, this post will help you find shows you might’ve overlooked, but which are worth your time. As such, the focus will not be on sequels, as fans of Teekyu don’t need me to tell them the 7th season is coming up. Also, unlike many other preview lists, there’s less focus on premise and plot, and more focus on the people working on the show. As Asterisk War and Tale of the Worst One had shown us this last season, premises are similar, but it’s the people working on the show that make the difference.
5) Active Raid: Kidou Kyoushuushitsu Dai Hakkei / Active Raid: Special Public Security Fifth Division Third Mobile Assault Eighth Unit:
Long before I was a prolific anime watcher, I read manga (we didn’t have streaming or even torrents back then, but we had comic shops), such as Ghost in the Shell and Silent Mobius, so I’m predisposed towards a show about a military force tackling opposition while wearing exoskeletons. The CG in this show seems very well done, but the character designs seem a bit too light and insubstantial for the tone I’d expect from the show. Anyway, mature characters, serious organization, and good mecha action are enough for me to buy in.
And if they weren’t, this series is co-directed by Akitaya Noriaki (Bakuman and Joukamachi no Dandelion) and Taniguchi Gorou (Code Geass, Infinite Ryvius, Planetes, Scryed, and Maria the Virgin Witch), and Gorou’s done a lot of stuff that I liked a lot. Composer Arakawa Naruhisa has done stuff such as Maouyu Maou Yuusha, Spice and Wolf, and Martian Successor Nadesico, but also stuff that fell apart such as Outbreak Company, and the divisive Yosuga no Sora and Gonna be the Twin Tails!!. So I’m gonna hope Gorou is the main director, and that Arakawa puts forth his better side.
Interest Rating: 2/3. This might be a case of me willing a show to be good in spite of some alarm bells, but man, please be good.
Poor Director Kamei Kanta, after directing Usagi Drop he went on to direct OreShura, Nanana’s Buried Treasure, and Saekano, the last of which I reallyhated. But even as I hated it, it was very well-directed, just directed on all the things I didn’t care for. Now though, he is joined by Suga Shoutarou, Series Composer for OreGairu (both seasons), Uchouten Kazoku, The Seven Deadly Sins, and Isshuukan Friends. I’d be willing to watch most stuff those two cook up together, but a gritty action-filled criminal-hunting, with some deeper musings on the side? Sign me right up. The lead reminds me of a cross between Lupin and Samurai Champloo’s Mugen. This show could be fun, and this show could be great. It might even be both.
The mangaka, Iwahara Yuji, wrote King of Thorn, as well. Promising.
Interest Rating: 2.5/3. I just hope “cyborg ally, might actually discuss deeper issues,” won’t turn into another Plastic Memories, or Tokyo ESP, that just flopped. But there are good people here.
Another drama featuring adults, aimed at adults. Will wonders never cease? A historical drama, a man is released from prison and becomes an apprentice for a comic storyteller (a cross between a storyteller and a comedian, not a manga author). The storyteller has a charge, a woman whose father was also a storyteller, but she can’t follow in his footsteps, because she is a woman. The setup is rare enough that it immediately demands my attention, and the good-looking previews cemented it.
To top it off, it’s directed by Omata Shinichi, who directed Sankrea, Rozen Maiden (2013), which had really good direction, as well as various episodes within Studio SHAFT productions. Series Composition is by Kumagi Jun, who was in charge of Hamatora, the Persona 3-4 anime, and Aquarion Logos. I’m going to hope for the best.
Curiously, mangaka Kumota Haruko’s other works all focus on BL (Boy’s Love).
Interest Rating: 2.5/3. Strong director, strong source material. Drama. All the things I usually have to turn to western live-action for. Don’t mind if I do!
2) Boku Dake ga Inai Machi / ERASED (Literal translation: “The Town Where Only I am Missing”):
Manga is read by all walks of life in Japan, and has many intricate and highly considered stories. We mostly get the junk, or stuff aimed at younger crowds as anime adaptations (or the “GrimDark Mature!!”), so it’s nice to receive something like this. I haven’t read the source material, but I’m highly hopeful. The premise, of a failing mangaka who can travel back shortly in time to prevent accidents reminds me of Early Edition, which I watched with my family as a teenager. An adult protagonist is another thing I appreciate, even if he’s going to get transported back to his childhood, where he’ll try to decipher the disappearance of a girl from the past. The only thing giving me pause is that mysteries of this sort lend themselves to binge watching much more than being watched weekly, but I’m going in. I’m hopeful.
Director Itou Tomohiko worked on Gin no Saji’s 1st cour, Occult Academy, Sword Art Online, assistant director on The Girl Who Leapt Through Time, Summer Wars, and Death Note. Even those who did not like Sword Art Online (which I’m not one of), should be able to tell the series is quite well directed, with distinct flair. Series Composer Kishimoto Taku worked on Gin no Saji, Haikyuu, and Usagi Drop; not a lot of stuff, but all good.
Interest Rating: 2.5/3. Adult protagonist, time-travel, mystery, good director and series composer, how will I not have high hopes?
1) Akagami no Shirayuki Hime / Snow White With The Red Hair 2nd Season:
I know I said I’m going to highlight mostly new shows, but what can I do, this is the show I’m most looking forward to, and by a large margin.
In case you missed it, here are my final thoughts on the first cour of the show. The show brings up plot-threads it doesn’t make use of, the characters are way too competent, and the show is at times very moralistic about work ethic. There’s not a lot going on. It’s mostly just watching nice characters with nice chemistry, in a show with good music and lovely backgrounds. And each week after watching it, I felt good. So what if it does nothing new, and isn’t “great”. It’s good for my heart, and that’s good enough for me. The “Will they, won’t they?” Is obvious to everyone from the get-go, and they’re making progress. And they’re going to keep making progress and spending time together.
This will not be another Chuunibyou Ren, so it’s all good. And if it somehow is, you’ll have to pick me up from the floor.
Interest Rating: 3/3. I’m looking to this so much because regardless of what it does or doesn’t do with plot, it’s almost guaranteed enjoyment and relaxation, and that’s worth a lot.
Airing Date: January 11th.
These are only my 5 most-looked forward to shows, if you’d like to see what other shows I’m interested in, or what shows I’m wary of, don’t forget to check the post from which this is excerpted, which covers the vast majority of the shows this upcoming season, omitting a few shorts and sequels.
So, what are the shows you guys and gals are the most looking forward to, and what’s your impression of the season as a whole? I for one am pleasantly surprised.
The Madhouse anime, One-Punch Man, is currently the highest rated television series on IMDb, beating popular TV shows such as Game of Thrones and Breaking Bad. It is standing at an average rating of 9.7 while the others are below with 9.6 or lower and has, at the very minimum, 5,000 ratings.
Is One-Punch Man living up to expectations? or is it the hype following the season?
In related news, Saitama and Tatsumaki from the anime adaptation of ONE and Yuusuke Murata’s One Punch-Manmanga has been featured as a poster illustrated by Hiromi Taniguchi in the January 2015 issue of Animage. You can purchase issue here (get 5% off with coupon code MOE-N3Y-4YW0QK).
Saitama and Genos have been featured in the December 2015 issue of Animedia as a poster. This issue of Animedia can be purchased here and you can view the other posters that came in this issue here.
In addition to this, two new visuals have been revealed for the anime adaptation of ONE and Yuusuke Murata’s One Punch-Man manga in the November 2015 issue of Animedia and NewType. The first new visual features both Saitama and Genos:
One Punch-Man is an action, comedy, parody manga written by ONE and illustrated by Yuusuke Murata. The series began in 2009 as a free online web comic written by ONE, before being picked up by Shueisha and being featured in their Young Jump magazine publication in mid 2012, with Murata illustrating. To date, a total of 7 compiled volumes have been released with the 8th volume releasing on April 3rd. The series has become a phenomenon in Japan, selling over 4.5 million copies as of November last year, doubling its sales in one year.
In this new action-comedy, everything about a young man named Saitama screams “AVERAGE,” from his lifeless expression, to his bald head, to his unimpressive physique. However, this average-looking fellow doesn’t have your average problem… He’s actually a superhero that’s looking for tough opponents! The problem is, every time he finds a promising candidate he beats the snot out of them in one punch. Can Saitama finally find an evil villain strong enough to challenge him? Follow Saitama through his hilarious romps as he searches for new bad guys to challenge!
Have you ever wanted to be woken up by a beautiful anime girl? Or to experience being part of the world of Sword Art Online? Well, Sony Media Communications have revealed that their recent Asuna Alarm Application will now be available Worldwide on Android. You can now wake up to the soothing sound of Sword Art Online‘s Asuna.
The International version of the app, titled Wake Me Up Asuna, has all the functionality of the original Japanese version of the app (which released in Japan earlier this June), all with translated menus and text. The app will retain the Japanese audio, with Haruka Tomatsu (Naruko Anjou from AnoHana) returning to voice Asuna.
Sony Media have teamed up with the anime adaptation of Reki Kawahara’s Sword Art Online to create an alarm application feature Asuna for Android. The app uses Live2D technology that is also found in various other anime character alarm apps. The application itself allows users to set up at time where the app will inform you to wake up, just as Asuna would. But there are more functionalities than just the alarm.
Another core feature is the talk function. This allows you to speak to Asuna and she will respond. Ask her questions make her say commands or just say hello. She will easily respond to basic questions such as the date, current time, weather, and even fortune telling. Asuna might even fall asleep if you idle too long.
She will also have various lines to say throughout idling in the application and in response to some questions, and even you get a little “hands on” with her. She will even greet you correctly depending on the time of the day.
There is also more than just speaking to Asuna. You can also change what outfit she is currently wearing, from her typical combat clothes or for something more casual.
You will also be able to purchase additional costumes for Asuna.
Watch Asuna in action below:
The Asuna Alarm application, Wake Me Up Asuna, is currently out now in the Google Play Store for supported Android devices, for free. There has been no confirmation whether the app will come to iOS.
If you know of the visionary sculptor Keiko, you’ll be familiar with the lush curves and gorgeous skin tones and definition of this new original figure coming straight to you courtesy of Kurushima Seisakujo. Kohaku (Amber) is her name, and you’ll love how perfect her proportion is while taking a bath. This magnificent 1/7th scale figure comes pre-painted and ready for display out of the box.
Japanese media website, Goo, asked their manga reader users: Which characters deserve to be addressed as -sama? With a total of 500 responses and 250 of them being males and 250 being females, here are the results:
15. Chikage Kazama (Hakuoki)
14. Reinhard von Lohengramm (Legend of the Galactic Heroes)
13. Hozuki (Hoozuki no Reitetsu)
12. Vearn (Dragon Quest: Dai no Daiboken)
11. Tsunade (Naruto)
10. Kaito Kuroba (Detective Conan)
9. Heart (Hokuto no Ken)
8. Haku (Spirited Away)
7. Haman Karn (Mobile Suit Zeta Gundam)
6. Oscar François de Jarjayes (Rose of Versailles)
5. Dio Brando (Jojo’s Bizarre Adventure)
4. Keigo Atobe (Prince of Tennis)
3. Yupa (Nausicaä of the Valley of the Wind)
2. Doronjo (Yatterman)
1. Frieza (Dragon Ball Z)
Welcome the New Year with this marvelously musical calendar featuring Kyoto Animation’s Hibike! Euphonium. Look forward to flipping to a new month featuring a warm, beautiful illustration.
It is currently in stock and can be bought here (get 5% off with coupon code MOE-N3Y-4YW0QK).
The official website for the television anime of the Muv-Luv Alternative spinoff novel Schwarzesmarken began streaming the second promotional video on Tuesday. The anime will debut on January 10th.
The first promotional video was streamed earlier this month and previews the opening theme song “white forces” by fripSide. The ending theme song will be titled “Kanashimi ga Jidai o Kakeru” (Sadness Runs Through the Times) and performed by Zähre (the unit formed by voice cast members Minami Tanaka and Nozomi Yamamoto).
The cast was recently revealed and include:
Kenichi Suzumura (Mikiya Kokutou fromKara no Kyoukai) will voice Theodor Eberbach
Minami Tanaka (Hana N. Fountainstand from Hanayamata) as Katia Waldheim
Schwarzesmarken is a series set in the Alternative universe, during the early years of the BETA invasion. It replaced theMuv-Luv Alternative Total Eclipse serialization in the Tech Gian magazine. The series is written by Hiroki Uchida and illustrated by CARNELIAN.
Schwarzesmarken is a spin-off of the Muv-Luv Alternative series, but the events takes place in 1983.
The East German Army 666th TSF Squadron “Schwarzesmarken” (Black Marks) are a special-forces unit tasked with assaulting BETA forces through unconventional tactics; specifically, they target Lux and Magnus Lux to deny the BETA the advantage of ranged firepower. Their orders are given the topmost priority, such that it is common practice for the 666th to ignore allied distress calls that will result in deviation from their original mission, even if only for a short moment.
The 666th Squadron mostly operates MiG-21s, with their squadron commander Irisdena Bernhard piloting an MiG-21PF.
With a new Tengen Toppa Gurren Lagann project recently teased, FREEing have revealed a 1/4th scale figure of Yoko Littner wearing a bunny outfit. Her long red ponytail and the shiny black bunny outfit create a passionate contrast that really suits her design. The net stockings are made from real fabric to bring out an even more realistic feeling to the figure.
On December 18th – 20th, Sega AM2’s Research and Development Division held a special play test session at the Club Sega Arcade Center in Akihabara in which they would be hosting the Kancolle Arcade, one of the highly anticipated game variants based upon the original browser game hosted on DMM. During the time this was going on, many Japanese KanColle players lined up, hoping to get their chance to play. It was reported that some people arrived as early as 5 AM to wait for the doors of Club Sega to open so they might have a chance to play.
Once the doors were open, people who had arrived early were given a bracelet that had a meeting time to arrive at a location where they would pick a number of players to participate in the playtest.
A member of the Kancolle En Wiki, Totaku, checked to see if there was anyone he knew that would be going to Akihabara on that day. Thankfully he found one person, and he was willing to be interviewed. He will be referred to as “Tom”. To give a quick summary regarding Tom: he’s an individual who has been living in Japan for almost two years now since he got a job there. He’s been a big Kantai Collection fan since he witnessed the game there and has been playing it since he started living in Japan.
Important Notice: According to Tom, those who were not selected to play the Arcade were taken outside of the location where the Arcade was being play tested. They were however allowed to view the Kancolle Arcade in action from a screen display outside of the play test zone. In addition, Club Sega forbids the use of cameras and recording devices in the playtest area and at the display screen. There will be no imagery of the Arcade in its present form from Akihabara, only an eye witness account from Tom. However, to give a good idea how the Arcade looks I will be providing screenshots from the Japanese Amusement Expo (JAEPO) where the Kancolle Arcade made its introduction back in February 2015 where a small group of people were selected to play the Arcade.
While he was not picked to play the game, he was allowed to spectate the arcade and spent a total of two to three hours watching the people play the arcade cabinet.
The following interview is an account of what he has witnessed as he watched the gameplay of the arcades unfold during the two days he visited Club Sega.
Regarding the Play Test Area
Totaku(Reporter): So from what you’ve told me, you got a chance to go to Club Sega in Akihabara, how would describe the crowd while you were there?
Tom (Witness): There were about thirty or so people both days at the Arcade. The attendance was overwhelmingly male, and in the two days I went, I think I saw one girl in the crowd watching.
Totaku: Present in the Arcade Playtest area?
Tom: Yes; even if it was only about thirty people, it was still a cramped indoor arcade and all.
Totaku: Ah ok. Speaking of which, how many arcade cabinets were there present for the playtest?
Tom: Two.
Totaku: Alright, let’s discuss the mechanics. So as far as I’m aware, the game is going to be using a GP system. Do you have any idea what it will cost to play it, or is this not known currently?
Tom: I don’t know how much it will cost to play, but players were advised to bring plenty of 100 yen coins.
The Start Up and the Naval Base
Totaku: Let’s move on to about the start up and gameplay. So how would describe the process? Is there a special card that’ll be used for this? Like an “Admiral Card” to keep track of your record?
Tom: Yes; at the playtest, players were required to have Aime cards. These are cards used to track player’s stats.
Totaku: Sounds like a good way to keep track of information. Now as for those who started playing, how was the start-up process to the game?
Kancolle Arcade Screenshot from JAEPO 2015 -Player Start up Screen
Tom: It was very similar to a new player joining the online game. You choose an admiral name, a starter destroyer and then you are sent to your base.
Totaku: Are all the same starters featured? Fubuki, Sazanami, Inazuma, Murakumo, and Samidare?
Tom: Except for the 3d models, it’s very similar to the online game. The interface for building new ships and developing equipment is pretty much straight from the game.
Tom: Yes. Fubuki, Sazanami, Inazuma, Murakumo, and Samidare.
Totaku: From what you have seen, how can you describe the naval base?
Tom: Except for the 3d models, it’s very similar to the online game. The interface for building new ships and developing equipment is pretty much straight from the game.
Kancolle Arcade Screenshot from JAEPO 2015, showing the naval base composition screen
Totaku: So you get the same Dry docks, docking, resupplies, compositions, and equipment fitting?
Tom: Yes.
Totaku: You mentioned to me before that you also get to move around in the home base.
Kancolle Arcade Screenshot from JAEPO 2015 – showing the hallway of the naval base as you walk to the construction area where you will pick up your recently constructed kanmusu
Tom: To be honest, not really. However, the moving around bit happens when you a build a new ship or get one as a drop: you walk down a hallway in person and after a turn or two, you enter a door. At the far side of the room, you see the silhouette of a ship girl turn and face you, then she introduces herself. During the walk down the hall, you can talk to various kanmusu; most of them will just salute you or say hello. I think Naka did a little dance if you clicked on her.
Totaku: Ahahahaha, sounds cute. It seems to be more engaging in comparison to it’s browser counterpart, which sounds amusing to me. I assume you also have resources to think about too, right?
Tom: Yes, resources are limited, just like in the game. But you can get more by spending gp to purchase resources if need be.
Totaku: What about Expeditions? Though since this is a play test, that might be a stretch.
Tom: I didn’t see any expeditions, no.
Totaku: So at the moment, that’s unknown, though it sounds like as an arcade, you might have to be a little more dependent on your GP, at least from what I can see.
Tom: Yeah, There’s not much of a naval base outside of assembling a fleet, dispatching and waiting for them to return.
Totaku: That should cover the naval base for now and I guess these might be things they may consider in the future, but for now it sounds straightforward for the time being in terms of menu interaction.
The Sortie Battles
Totaku: Now I’m aware form at least the promo footage, that sorties look like they’ll be quite different. Just how different are they from the browser version?
Kancolle Arcade screenshot from JAEPO 2015 – Sortie screenKancolle Arcade Screenshot from JAEPO 2015 – The Sortie screen
Tom: In one word, very! They’re a lot more interactive.
Totaku: Mind describing to me about how the sorties battles go in the Arcade Version?
Tom: On the sotie menu, once you choose a map, your fleet sails out and you choose where they by turning a ship’s wheel. The area immediately around your fleet is visible but the rest of the map is covered in fog so you have to find the abyssal yourself.
Kancolle Arcade from JAEPO 2015 – Detecting and locating Abyssal Fleets before the fight
There’s also a time limit. The areas where the abyssals are have a reddish tinge so to fight, you need to sail so that the red area is in your fleet’s field of view; once that happens, you actually begin exchanging fire with the abyssals.
There aren’t really set phases of battle as in the online game. In the battles I saw, both sides could use guns more than twice and ships that had them could use torpedos outside of the torpedo phases. I didn’t notice any charge meters or anything like that, so I’m not entirely sure how it worked.
Totaku: So in terms of combat, is there any way to effect certain outcomes of the fights? You mentioned that kanmusus can be controlled via steering and speed.
JAEPO 2015 – Players will be required to use the steering wheel and throttle to help thier fleet manuver against abyssal fire to minimize damage.
Tom: Yeah, by using the wheel to steer you can change the engagement type.
If I recall, Red-T Disadvantage, gave the enemy a firepower boost. The game also tells you where enemy shells are projected to land so you can avoid them by steering.
Totaku: Nice.
Tom: There’s also a throttle function that lets you increase evasion but makes your girls more tired as far as I could tell; it didn’t affect fuel use.
Totaku: Ah so it can result in causing the ship girls to become more tired post-battle.
Tom: Yeah.
Totaku: Is there anything else you can add; for instance, were you able to witness any carrier battles?
Tom: Unfortunately, no but I did see heavy cruisers with seaplane scouts.
Totaku: Explain a bit about the seaplane and how they worked in the game.
Tom: When you’re sailing around looking for enemies, Heavy Cruisers could launch their seaplanes to scout out beyond what the ships could see on their own; they could also be launched multiple times per sortie.
Totaku: So you can use them to scout out the area you’re in and locate the enemy fleet if you so choose to do so.
Tom: Yeah!
Totaku: Can they also detect other things by chance?
Tom: Yes, one player used them to locate a green tinged area,
and when he sailed to it, he got a bucket.
Totaku: Nice. So I assume to replace the expeditions, the battles will include obtainable items, like buckets, development materials, and the like.
Tom: That’s what it looks like; if only 1-1 had farmable buckets…
Totaku: Ahahaha, don’t we all. By any chance did you see any ship girls get damaged?
Tom: Yes.
Kancolle Arcade from JAEPO 2015 – Shimakaze following after she has taken damage in battle
Totaku: With proper maneuverability, it’s probably avoidable, but if you they can’t dodge the hit, I’m curious how repair processes would work in the Arcade.
Tom: The repair docks are just like in the game but I don’t recall seeing a timer. I think one player spent GP for instant repair.
Totaku: Oh, that sounds logical when you think about it. You can either spend GP or buckets to complete the process.
Drops and Construction
Totaku: Since you can construct and find Kanmusu, how does this process work?
Kancolle Arcade at JAEPO 2015 – Player was rewarded Shimakaze as a dropKancolle Arcade at JAEPO 2015 – Players can obtain physical cards of Kanmusu
Tom: Some players had real life KanColle trading cards and the cabinets had a reader for them, so there looks to be a function where, if you have a card in real life, you can use her in game for no charge.
Totaku: But physical cards? What kind of cards are we talking about here
Tom: I’m guessing they’re machine readable trading cards. I’m guess you can get them printed or something. I recall seeing some pictures of the cards, so I expect you can obtain a physical card somehow.
Kancolle Arcade at JAEPO 2015. The Card dispenser where you can obtain physical cards upon being rewarded.
Note:Due to how the screen displayed the Kancolle Arcade in the Akihabara Playtest, Tom was unable to see the card dispenser which has been mentioned to be part of the arcade cabinet. This portion of the cabinet is where the physical card that you are rewarded as drops will be dispensed upon acquiring the kanmusu if you give permission to print the card.
Totaku: I suppose this might become more clear once the cabinet is released to the public. So let me go ahead and proceed with asking a few selected questions I’ve asked some people to provide me for this.
Fan Questions
Totaku: Before the interview I took the opportunity to ask some fans if they could provide me some questions for the arcade, thankfully I was able to obtain enough to ask a good series of questions, so we proceed to discuss what some fans wanted to ask Tom regarding his arcade experience.
Totaku:Fan question #1:
Among the browser version and the Arcade Version, which version would you prefer to play? And how do you feel about the idea of using cards to play the Arcade?
Tom: Just based on gameplay, the Arcade version looks like much more fun; I’m not sure I like the idea of the cards, though. I mean, randomness is a big part of KanColle and even using real money to buy resources doesn’t guarantee you a certain ship.
Totaku: Yeah I can image that. This sounds like one of those kind of questions that doesn’t have a fully confirmed answer. But otherwise what you provided me sounds fine enough.
Totaku: Fan question #2:
What is the possibility that this Arcade is likely to be seen in other locations outside of Japan? How many years do you believe the Arcade is likely to survive within Japan itself?
Tom: I don’t know about overseas. It’s hard to get more aggressively Japanese than IJN ships re-imagined as girls.
Totaku: So I think it has a chance to catch on here since the fandom is a bit strong. Whether or not Kadokawa would want to bring the game officially outside of Japan is a whole other story.
Tom: In Japan, I think the arcade version could have some staying power. It doesn’t use the lottery as far as I’ve seen.
Totaku: Since arcade are still a big thing over there, Yes, I can see that.
Tom:It’ll be more accessible to children than the other products on DMM. Not every child has a laptop or even a smartphone but the arcade is open to everyone.
Totaku: Yeah I can see that.
Totaku: Fan Question #3:
What’s your take on Sega’s interpretation of KanColle?
Tom: I like it.
Totaku: Cool.
Tom: I think it does a good job of making it arcade-suitable while keeping to the spirit of KanColle.
Totaku: Beautiful, I can understand that.
Totaku: Fan Question #4
I doubt you can provide a clear answer on this one, but are all the current ships present in the Arcade? The last I checked it went all the way up to Akizuki. I doubt for test play you got anything outside the common basics but it’s worth asking.
Tom: For the most part, it looked like just the basic ones: the starters, 6th DesDiv, a few other destroyers like Oboro and Ushio, Heavy Cruisers like Myoukou and Chikuma. There was also another player who had Takao and Atago.
Totaku: Nice!Any others you can recall?
Tom: Light Cruisers Kuma and Tama, and couple of Nagara-class like Nagara and Natori.
Totaku:Fan Question #5
Do you believe the Arcade version will eventually in the long run have a platform port to a console system like a PS4 or Wii U, etc.?
Tom: I think it’s possible if reception for the arcade version is positive enough, and I just had a funny thought of using motion controls to control a kanmusu striking poses to line up shots.
Totaku: That would be neat.
Anyways I thank you for providing me this input Tom, I really appreciate the time you took to talk to me about the Arcade.
Tom: The pleasure was all mine, Totaku. Thanks for listening to me ramble.
Final Overview
With the completion of the interview, I sit here thinking to myself just how fascinating the Kantai Collection Arcade is now that I’ve heard all that I heard from Tom. The fact the Arcade shows that it’s going to be way more dynamic and diverse in comparison to its browser counterpart shows that there’s a lot in store for the Kantai Collection Arcade.
This especially holds true since the arcade is less RNG-based and with you being in direct control of your ship girls during sortie campaigns. In a sense, the arcade version is a completely new spin on the original game and shows a lot of promise. So people who want to go see the Kantai Collection Arcade, I recommend you pack yourselves with plenty of 100 yen coins and make plans to go to Japan during the Spring of 2016 when this game finally makes its debut!
While I’ve learned a lot about the game from Tom, it’s clear, this is only the icing on the cake and there is likely more to come once the Arcade Cabinet debuts in Japan on Spring of 2016.
Nitroplus’s mascot Super Sonico is back with her band First Astronomical Velocity and they are celebrating the season by streaming their Christmas song “Very Merry” on Spotify and Google Play. The song from album Love & Peace Plus starts with Sonico wishing her fans a “Happy Christmas” in English. With lyrics credited to Super Sonico and arrangement by Swinging Popsicle’s Hironobu Hirata, “Very Merry” is also available from music download services worldwide.
First Astronomical Velocity (also known as FAV, or Daiichi Uchuu Sokudo) is a three-piece girls rock band who debuted in 2010 with “Superorbital”. The band has released 2 full albums and numerous singles including game themes for SoniComi (Communication with Sonico) and the recent anime series SoniAni: Super Sonico The Animation, including “Love The World,” “Sky Love Hurricane,” and “SUPERORBITAL”. FAV’s second full album, Love and Peace Plus (Love and II +), broke into the Top 50 on the Oricon charts in 2012.
Here are some of the previous Christmas illustrations since it is the season:
Super Sonico is a fictional female character created for the Japanese computer and video game software company Nitroplus, first appearing as a mascot for a Nitroplus-sponsored music festival in 2006. Nitroplus has since developed the character into a media franchise that includes music products, manga series, computer and video games, toy figurines and other merchandise. An anime television series by White Fox based on the character aired in Japan between January and March 2014.
The official website for upcoming anime adaptation of Hirohiko Araki’s JoJo’s Bizarre Adventure – Part IV: Diamond Is Unbreakable manga began streaming the first promotional video on Sunday. An unofficial English subtitled version of the promotional video has recently been revealed by fans.
JoJo’s Bizarre Adventure – Part IV: Diamond Is Unbreakable is the fourth part ofJoJo’s Bizarre Adventure, serialized in Weekly Shonen Jump between 1992 and 1995. The story is based in 1999, as the Arrow, manifesting latent Stand abilities, travels throughout Morioh, Japan; as high schooler Josuke Higashikata (illegitimate son of Joseph) and his friends seek out the culprits of a series of homicides.
JoJo’s Bizarre Adventure is a Japanese manga series written and illustrated by Hirohiko Araki. It was originally serialized in Weekly Shounen Jump from 1986 to 2004, before being transferred to the monthly seinen magazine Ultra Jump in 2005. The current story arc, JoJolion, started in 2011.JoJo’s Bizarre Adventure is currently Shueisha’s second largest manga series with its chapters collected into 111 tankobon volumes and counting (only Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo, with over 180, has more).
A six-volume original video animation adaptation of the later half of the series’ third story arc, Stardust Crusaders, was released from 1993 to 1994 by studio A.P.P.P. Six years later, they produced a seven-volume series adapting the arc’s first half from 2000 to 2002. A.P.P.P. also produced a theatrical film of the first arc, Phantom Blood, in 2007. From 2003 to 2005, Super Techno Arts released an English dub of both OVA series as one on DVD in North America. The third story arc of the manga received an English release in North America from 2005 to 2010 by Viz Media, who will also publish the first and second arcs in 2015. A 26-episode television anime, produced by David Production and covering the first two arcs, aired on Tokyo MX and other stations starting in October 2012 and ending in April 2013. A second season covering the third arc titled JoJo’s Bizarre Adventure: Stardust Crusaders began broadcast in April 2014 and ended with episode 24 on September 13, 2014.
The JoJo’s Bizarre Adventure manga has sold over 80 million copies in Japan alone, making it one of the best-selling manga series in history, and has spawned a large media franchise that includes several novelizations and video games, action figures, a jewelry line, and even snack foods.
Beginning its tale in 19th century England, young aristocrat Jonathan Joestar finds himself locked in bitter rivalry with Dio Brando, a low-born boy who Jonathan’s father took under his wing after the death of Dio’s father. Discontent with his station in life, Dio’s fathomless lust to reign over all eventually leads him to seek the supernatural powers of an ancient Aztec stone mask in the Joestar’s possession—an artifact that will forever change the destiny of Dio and Jonathan for generations to come. Fifty years later, in 1938 New York City, Jonathan’s grandson Joseph Joestar must take up his grandfather’s mission and master the abilities necessary to destroy the stone mask and its immensely powerful creators who threaten humanity’s very existence, the Pillar Men.
Kuroneko, the pure and dedicated fujoshi / otakukko (female otaku) and also one of the supporting characters from the popular series Ore no Imouto ga Konnani Kawaii Wake ga Nai (My Little Sister Can’t Be This Cute) has received a new figure which displays her in sexy lingerie, and every inch of her body is crafted with loving perfection.
Swaps4 Productions and Big Bang Studio are excited to unveil the highly anticipated launch of Melody's Melon Mania, featuring Projekt Melody! This captivating, free-to-play...